Музеи мира - World museums

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Guрmundsson, Rуska, Arnar Herbertsson, Magnъs Tуmasson, Gylfi

GIacute;slason, Sigurjуn Jуhannsson, Hildur Hбkonardуttir and

Guрbergur Bergsson.

The Museum owns works by many of the nation's best-known younger artists and the collection is growing steadily. The collection also includes works by some 50 foreign artists, such as Joseph Beuys,

Pieter Holstein, Richard Hamilton, Dorothy Iannone, Jan Voss, Wolf

Vostell, Douwe Jan Bakker, Emmet Williams, Robert Filiou, Nini Tang,

Peter Angermann, John Armleder, Geoffrey Hendriks, Jan Knap, Alan

Johnston, Peter Mцnning, Bengt Adlers and Franz Graf.

All works of art in the Museum's possession are selected by the artists themselves and not by specialists of art institutions. A catalogue of the art collection of the Living Art Museum is accessible on a digital database.

The Prince of Wales Museum of West India

In the early years of the twentieth century, some prominent citizens of
Bombay decided to set up a Museum with the help of the government to commemorate the visit of the Prince of Wales. One of the resolutions of the committee at its meeting on June 22, 1904 was, "The building should have a handsome and noble structure befitting the site selected, and in keeping with the best style of local architecture."
The committee spared no effort to realize this dream. On March 1, 1907, the then government of Bombay handed over to the museum committee a spot of land known as the "Crescent Site", situated at the southern end of the present Mahatma Gandhi Road. After an open competition for the design,
George Wittet was commissioned to design the Museum building in 1909.
George Wittet had collaborated with John Begg in the construction of the
General Post Office building. His other works in Bombay include the Court of Small Causes and the magnificent Gateway of India.

The National Museum of History (Brazil)
The National Museum of History, pertaining to the Ministry of Culture, created in 1922, is one of the most important museums in Brazil with
287.000 items that include the largest numismatic collection in Latin
America.
The architectural complex where the museum is situated had its origin in the Santiago Fort, located at the former Calaboose Point, one of the strategic points for the defense of the city of Rio de Janeiro.

The National Gallery of Canada
The National Gallery of Canada, a visual arts museum of international stature, holds its collections of art in trust for all Canadians. The mandate of the National gallery, as set out in the 1990 Museums Act is: to develop, maintain and make known, throughout Canada and internationally, a national collection of works of art, historic and contemporary, with special but not exclusive reference to Canada; and to further knowledge, understanding and enjoyment of art in general among all Canadians.

The Museum of Moroccan Arts
The imposing silhouette of the Dar el Makhzen dominates the Tangier kasbah.

Formerly the governor's palace, it was built in the XVIIth century and is laid out around a splendid patio decorated with enamelled faience.

The Museum of Moroccan Arts is housed in the prince's apartments which are indeed princely: painted wooden ceilings, sculpted plaster work and mosaics, all of them exquisite.

A worthy setting for works of art from all over Morocco, which are honoured as prestigious ambassadors of their regions.
The north is represented by firearms decorated with marquetry and its pottery bearing subtle motifs of flowers or feathers, while from Rabat come the shimmering carpets with their characteristic central medallion...

the Fez room is quite dazzling... silks with their subtly shifting highlights, superbly bound illuminated manuscripts with the finest calligraphy, centuries-old dishes decorated in the most brilliant colours, from golden yellow right through the famous "Fez blue".

From the miniscule to the monumental, the Moroccan Museum of Arts is an entire universe of beauty.

Albany museum
The Albany Museum is a provincial museum funded by the Department of Sport
Art and Culture of the Eastern Cape and is an affiliated research institute of Rhodes University. The Museum today consists of a family of six buildings which includes the Natural Sciences Museum, the History Museum, the Observatory Museum, Fort Selwyn, the Old Provost military prison and the Drostdy Arch.
The Albany Museum, the second oldest museum in southern Africa, was founded on 11 September 1855, growing out of the Graham's Town Medical-Chirugical
Society (later called the Literary, Scientific and Medical Society).
Between 1859 and 1882 the Town Clerk of Grahamstown, Mr Glanville, served as the first Curator and he was succeeded by his daughter, Miss Mary
Glanville until 1895 when Dr Selmar Schonland became the first director of the Museum. Initially the Museum was housed in several small facilities around Grahamstown, including the top floor of the City Hall, before moving to its permanent home in Somerset Street in 1902. This building now houses the core block of the present Natural Sciences Museum.
With Dr Schonland, came the historic ties which the Museum has with Rhodes
University. In 1902 he addressed the Cape Parliament, speaking for the establishment of a university in Grahamstown, and persuaded the trustees of
Cecil Rhodes's estate to pledge funds for the establishment of Rhodes
University College. When the College was established in 1904 Dr Schonland became its first professor of Botany. In 1910 Dr Schonland was succeeded as director by Dr John Hewitt.
John Hewitt's research lay in the fields of vertebrate zoology and archaeology. He undertook archaeological excavations at the Wilton and
Howison's Poort type sites. During this period Grahamstown's long-standing affair with fishes started. In 1930 Dr J.L.B. Smith, Senior Lecturer in
Chemistry at Rhodes, identified and catalogued the Museum's marine fish collection. The following year Mr Rex Jubb sent the first small collection of freshwater fishes from Southern Rhodesia (now Zimbabwe) to the Museum.
On the 6th September 1941 the Museum suffered a devastating fire with a great loss of exhibited material. Fortunately the library and most of the research collections were saved. In 1952 the Museum's collection of fishes was loaned to the University's Department of Ichthyology. Three years later the Museum celebrated its centenary and, in 1957, its staff became
Provincial employees.
Dr John Hewitt retired the following year, and was succeeded by Dr Tom H.
Barry. During Dr Barry's tenure of five years the Hewitt and Rennie Wings were added to the Natural Sciences Museum and the 1820 Settlers Memorial
Museum (now called the History Museum) was built.
The period between 1965 and 1977, the directorship of Mr C.F. Jacot
Guillarmod, was one of consolidation. The National Collection of Freshwater
Organisms was transferred from the CSIR to the Museum. The Early Stone Age site at Amanzi was excavated and re-excavations were done at Wilton and
Howison's Poort. Fort Selwyn was restored by the Cape Provincial authority and handed over to the Museum in 1977.
In 1977 Mr Jacot Guillarmod was succeeded by Mr Brian Wilmot and it was at this time that the Museum entered a new period of growth. De Beers
Consolidated Mines Limited purchased and restored the Observatory and the
Priest's House and donated them to the Museum. The Old Provost military prison was restored by the Cape Province.
The freshwater fish collections of the Transvaal and Cape Nature
Conservation authorities, the Natal Museum and the South African Museum were transferred to the Albany Museum (the latter two on loan) making it the largest collection in southern Africa. Museum staff started teaching short courses at the University and, in 1983, the Museum became an
Affiliated Research Institute of Rhodes University. The close relationship with the University was expanded with the consolidation of the herbaria of the two institutions and the formation of the Selmar Schonland Herbarium, housed in the Natural Sciences Museum.