Welsh traditional music

| Категория реферата: Топики по английскому языку
| Теги реферата: курсовая работа по менеджменту, тезис
| Добавил(а) на сайт: Берков.

This trio from Powys in mid-Wales, together for 25 years, are celebrated for close vocal harmonies laid over a spare instrumental mix of guitar, mandolin, tin whistle and concertina. Siblings Linda Healy and Roy
Griffiths, along with their friend John Gittins, have pioneered a more intimate singing style, based on the Plygain choral tradition. Nowhere is that more apparent than in Plethyn's a cappella rendition of the Welsh traditional song "Cainc Yr Aradwr" ("The Ploughboy's Song"), from this outstanding 1994 album, whose title is Welsh for "Yesterday's Cider."
3. Boys of the Lough

Boys of the Lough are one of the past masters of celtic music, combining members from several celtic traditions with a long history; where other celtic groups last a few years, the Boys are now in their third decade and retain two of their earliest members. Like that other long- running act the Chieftans, their music tends to the formal; impeccable technique and sensitivity, with large, sometimes classical-style arrangements, and very tight ensemble playing. They lack the fire and roughness of other groups; the overall feeling is of a group of skilled, well-integrated musicians playing together for the pure pleasure of it.

The history of the Boys has several twists and turns. The group was formed in 1967, as a trio of Cathal McConnell, Tommy Gunn of Fermanagh and
Robin Morton from Portadown. Tommy Gunn later dropped out and the remaining duo recorded "An Irish Jubliee" in 1969. At the sametime, Shetland fiddler
Aly Bain and singer/guitarist Mike Whelans were playing on the Scottish folk circuit. The two duos met up at the Falkirk folk festival where they played together and some time later, in 1971 came together for good. Dick
Gaughan of Leith replaced Mike in 1972 and this lineup recorded the first
'official' group album in 1972. Dick, in turn, left in 1973 and was replaced by Dave Richardson of Northumberland, bringing in new instruments including, cittern, banjo and mandolin. This lineup continued for several year, touring widely in Europe and America and releasing 6 albums, two of them recorded live. Live at Passim's was recorded at Passim's in Cambridge,
Massachusetts, and Wish You Were Here comes from a tour of the Scottish
Highlands and Islands. Robin Morton left in 1979 and was replaced with Dave
Richardson's brother, Tich, on guitar. Tich was killed in a road accident in late 1983. After some time, the band came together again with new members Christy O' Leary and John Coakley and have kept that lineup ever since.

Current Lineup

Aly Bain Fiddle
Cathal McConnell Flute and Tin Whistle, Vocals
Dave Richardson Mandolin, cittern, English concertina, button accordion
Christy O' Leary Uileann pipes, tin whistle, mouth-organ and vocals
Chris Newman Guitar
4. Rag Foundation

Woollard's band, Rag Foundation, from Swansea, is one of several groups of young urban musicians who have come to traditional music in the way they have come to the Welsh language, through questioning their identity, their cultural distinctiveness. They have been described by the trade press as the most dynamic band to emerge from Wales for many years.
Their current albums 'Minka' and 'South by SouthWest' have been critically acclaimed by press, TV, radio and festival organisers. They have toured extensively in many countries as far apart as Canada, Latvia, India,
Holland, Egypt, Hungary and France as well as the UK. Woollard's own story is quite remarkable: introduced to traditional music by a fiddle player recording a session for a trip-hop outfit he was in, he began researching songs of his region, came across Phil Tanner… and discovered he was his great uncle. But Woollard's style owes as much to Tom Jones and Shirley
Bassey - the total commitment to the song of the working class, pub singer of South Wales - as it does to folk music. When Rag Foundation performed for the first time in London the people running the venue were surprised when two busloads of young urban ravers pitched up too. "We have this following of clubbers who come round with us," Woollard explained. "What we're doing is dance music, which is what they're into. Ours is just an older version of it." Even so, it is the power of the traditional song that inspires Rag Foundation, and Woollard inhabits rather than exploits the material. "I want to bring these songs to an audience my age, but I don't want to stick drum and bass all over them. It's in the performance. If you're honest in your delivery what you're singing about will come across."

5. Fernhill.

Since they formed in 1996, Fernhill have become important cultural ambassadors for Wales and its music, having toured in 20 countries including performances for the King of Swaziland and the President of
Mozambique. 'These daring musical deconstructionists have become the prime movers in a crop of talented bands injecting new life and an exciting contemporary dynamic into traditional Welsh music' .

LIVE BAND LINE-UP

Julie Murphy vocals

Richard Llewellyn guitar

Cass Meurig fiddle

Tomos Williams trumpet

Andy Coughlan double bass

Paradoxically they only had one Welsh member when they achieved national attention, bagpiper and guitarist Ceri Rhys Matthews from the
Swansea valley. Yet Essex-born Julie Murphy has lived in Wales for many years and, totally absorbed in the culture and history of the country, sings confidently in the Welsh language when the occasion demands it. Not that they play exclusively Welsh music. They also perform English folk songs, impassioned Breton tunes and vibrant French songs while fully embracing the modern roots ideology, introducing the influences of their many travels, notably African and Eastern European music.

Julie Murphy met Ceri Matthews at art college in Maidstone, and when the course was over she returned to Wales with him, learning the language and absorbing the culture. Although she had no folk background to speak of,
Murphy developed a natural feel for performing traditional songs, and she and Matthews started working as a duo. They met Jonathan Shorland in 1986 when they were on the same bill at the Pontardawe folk festival. Shorland joined them on stage playing the pibgorn, a Welsh horn pipe, and they started working together with three other musicians as a music and art group called Saith Rhyfeddod.

Raised in the New Forest, Shorland had become obsessed by reed instruments as a devotee of David Munro’s music programme on Radio 3 while at Aberystwyth University. He became an expert in Celtic traditions, learning to make bagpipes and travelling extensively in Eastern Europe and
Brittany, playing regularly with Breton musicians. He is said to be the first person to introduce the bombard into Welsh music.

Murphy teamed up with Blowzabella’s ex-hurdy gurdy player Nigel
Eaton, resulting in the experimental Whirling Pope Joan project which made a big impact with its alternative rhythms and challenging material. Also involved in the project was Andy Cutting, a melodeon and accordion ace from
Harrow brought up in a family steeped in English traditional music. When invited on a British Council tour in Gaza, Murphy invited Andy Cutting to accompany her. When in 1996 Tim Healey of Beautiful Jo Records invited
Julie Murphy, Ceri Matthews and Jonathan Shorland to contribute to a compilation of Celtic music, they roped in Andy Cutting.

The result was Fernhill, who have subsequently toured extensively and produced a series of fine albums which reaffirm the rich spirit of Welsh folk music while moving boldly into new areas. Mixing oboe with bagpipes, diatonic accordion, guitar and numerous other instruments they have challenged all preconceptions about folk music, recognising no dividing line between Welsh dance music and the roots music of Kenya,
Pakistan or any point beyond.

They now work mainly as a trio of Murphy, Matthews and Cutting, but all are involved with other musicians as they strive to break down further barriers between musical style and the audience it appeals to.

They have recorded three critically acclaimed albums; the latest, Whilia, was a top twenty album in the Folk Roots poll 2000.
Fernhill created a new musical landscape from the indigenous dance rhythms and folk poetry of Wales. Julie Murphy's passionate singing combined with guitar, fiddle, double bass and trumpet produces a sound both gutsy and enchanting.

In 2001 the band contributed a performance to the film 'Beautiful
Mistake' about the Welsh music scene which includes performances by James
Dean Bradfield, Catatonia, Super Furry Animals, and Gorkys Zygotic Mynci.
Julie Murphy also collaborated with ex velvet underground member John Cale; he accompanied her on a track from her solo album Black Mountains Revisited
(a MOJO folk album of 99).

6. The renaissance of Welsh traditional music

Manic Street Preachers, Catatonia and even Tom Jones assure Welsh people that their identity is not naff. Gorki's Zygotic Mynki, Super Furry
Animals and Datblygu prove that indeed it's cool - and that singing in
Welsh is no obstacle to commercial success. People are beginning to remember that the Velvet Underground founder member John Cale's first language is Welsh (earlier this year he was in Cardiff working with musicians who prefer to perform in it).

Neil Browning is part of a growing movement in Wales, one that is not out to preserve the old folk music, but to make it come alive, to breathe again. While he has a great knowledge and respect for the old tunes and the old ways, he is not hestitant to push it as much as the song requires.